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Hrishida didn’t like the bouffant and he sat me down and said, ‘Please Rinku, you’re supposed to be a motherless child, for God’s sake.’ But I insisted on the bouffant and he allowed me to do it.
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In an earlier interview, she told me, “I remember I came on the sets in full make-up and a bouffant. Her memories are also to do with her famous bouffant. Tagore, too, has fond memories of shooting Anupama, especially the lyrical Kuch dil ne kaha in Mahabaleshwar - for which she and Dharmendra had to report at 5 am. When she saw the rush print, Rinku gave me a kiss,” said Mukherjee. I said, ‘Look, Rinku has the expressive eyes of my Anupama.’ I had to instruct her very closely. She was busy doing An Evening in Paris in a bikini! I was told to take Nutan instead. “There were howls of protests when I signed Rinku (Tagore). In the same interview, Mukherjee confessed that his decision of casting Tagore as the leading lady was frowned upon. Though they are in love, they never touch each other,” he said. For Anupama’s relationship with the poet who rescues her, I used my imagination.
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“My aunt died during childbirth, my uncle became an alcoholic, and he couldn’t stand his daughter. In an interview, Mukherjee said that Anupama was based on his cousin’s life. He tells her, “Mujhe lagta nahin ki aapne kabhi khud ko hanste hue dekha hai… chupke se sheeshe ke saamne jaaiye aur dekhiye ki yeh hansi kitni khoobsurat hai… kitni suhaani (I don’t think you have ever seen yourself laughing… tiptoe to a mirror and see for yourself how beautiful your smile is).” He never hurries her, even the declaration of love is under-stated: he tells her on the phone, “Aap humein apna samjhen… humare ghar ko apna samjhen… aap ka hum par poora adhikar hai (Please consider me yours, my house yours, you have full rights over me).” She sings softly, conversations between her and Ashok are minimal, as is the build-up of their love story. There are long stretches of silence, and there are hardly any dialogues - except when Shashikala is on screen.Įverything that happens around Uma happens silently. Hrishikesh Mukherjee directs this sensitive portrait of a woman who has to take that one step to claim life and how she finally finds herself.
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Life changes when she meets Ashok ( Dharmendra), a poet and writer, who falls in love with her silences, gives her the confidence to believe in herself and urges her to break free from the shackles that bind her life. That’s when he pours out his love and guilt and berates himself, saying, “Tera kya kasoor hai, main tujhse kyun nafrat karta hoon? (How is it your fault, why do I hate you?)” But Uma never sees this side of her father and grows up as a painfully shy, introvert and under-confident girl. He reserves all his paternal feelings for Uma when he comes home drunk at night after she is asleep. He can’t even bear to look at his daughter in broad daylight because she reminds him of his beloved wife who died giving birth to Uma. Uma (Sharmila Tagore) and her father Mohan Sharma (Tarun Bose) share a troubled father-daughter relationship. Anupama is about a woman finding her real self.